|Big Bug 2022 Movie Reviews, Trailers, Cast, and Watch Online|
Big Bug 2022 Movie Reviews, Trailers, Cast, and Watch Online: “Amélie” director Jean-Pierre Jeanette’s latest French-language feature, about a band of humans fighting a robotic takeover of their own home, was released straight to Netflix
Imagine the rise of Prophecy Machines, made popular by the Terminator franchise, but done as a weird sitcom that’s Pee-wee’s playhouse, part of French sex, and gives you an idea of the bizarre concoction. Will get that which is Jean-Pierre Jeanette’s new movie, Big Bug.
For fans of the seasoned writer-director, this science-fiction satire is often more exhausting than inventive, taking away some good ideas about home life amid jokes that tend to play relics of the past. Especially those that use the very Gallic brand of misogyny, an expectation that will be extinct by the year 2045, when the film will.
Big Bug Movie
- The bottom line is wired and tired.
- Release date: Friday, February 11
- Cast: Elsa Zielberstein, Stefan de Grodt, Joseph Hajdi, Claire Chast, Isabel Nanty, Alban Lenore, Claude Peron, Dominique Pinon, François Leventhal
- Director: Jean-Pierre Genetta
- Screenwriters: Jean-Pierre Jeanette, Guillaume Laurent
- Duration: 1 hour 51 minutes
Released on Netflix, Big Bug marks the first time a French filmmaker of this stature has made a feature directly for a streamer, though it’s hard to see how much such a small-scale, CGI-heavy comedy would have ever been in theaters. Hit in. Clever, but also cartoonish and crass at times, it lacks Amelie’s charming charm and Delicatessen’s brooding dystopian hijinks, which are two of Jeanette’s best films to date.
Set in a cookie-cutter suburban house outfitted with the latest AI gadgets and gizmos, the story (by JUnet and regular co-writer Guillaume Laurent) follows several relatives and neighbors who are locked inside the house while evil robots are outside. begin to take over the world.
The company includes Alice (Elsa Zilberstein), who invites the very horny Max (Stephen de Grodt) over for an afternoon; Alice’s ex, Victor (Joseph Hajdi), who arrives unannounced with his new girlfriend, Jennifer (Claire Chast); their neighbor François (Isabelle Nanty), who is soon followed by her robot sex slave, Greg (Alban Lenore); and the crazy android servant of the house, Monique (Claude Peron).
Each character is an exaggerated version of a real person, which makes the human race less compelling than all the digital creations that populate Alice’s abode, including a crappy, skillfully designed first-generation robot, Einstein. (voiced by André Dassolier), a housecleaning tool. Joe looks like a cousin of Wall-E, and a pint-sized cyborg gone wild.
The droids soon fall under the control of Yonix (François Levental), a powerful race of enforcer bots who look like Robocops with French characteristics, and who despise humans so much that they create a popular name called Homo ridiculus. Torture them on reality TV shows.
Working in malicious satire mode, Zeenat envisions a future where people easily become slaves to machines, giving up their freedom for all modern conveniences – a smart vacuum cleaner that cleans every piece in your wake. Picks up, a kitchen appliance whose sole purpose is to make perfect oeufs a la coke—until there’s no humanity left.
Then again, it’s too bad that the people featured in Big Bug are such a sorry group, and a pair of unsuspecting teenagers (Haley Thonnett, Marisol Furtard) are trapped in the house with them, you’d think that every adult on Earth, around 2045 was a petty, sex-hungry egoist.
This is especially the case for women who come across as vulgar and ridiculous, whether it’s Alice engaging in dopey erotic cosplay with Max, François longing for Greg’s digitally enhanced adultery skills, or Jennifer losing her Screaming about a tropical vacation that happened, and in one off-putting sequence, climbing on all fours and imitating different circus animals.
Zeenat’s view of her characters and the world in general is really dim, which makes it difficult to rally in one’s favor once the machines. Thus there’s little suspense in Big Bug, which lasts about two hours, and the excessive use of CGI feels a bit toxic, not to mention a hypocrisy: Jeanette can hate what computers can do to people. , but it seems he didn’t have a problem using them for almost every aspect of his filmmaking.
Shot by Thomas Hardmaier (Yves Saint Laurent) in the director’s trademark style with overly wide lenses and Dutch angles, the film suffers from all VFX and greenscreen claustrophobia, thanks to the delicatessen or the intricately designed steampunk aesthetic of the Makes a long time. City of Lost Children, which used very few digital effects.
It seems Big Bug’s goal is to show that once they start moving away from original, handmade creations like this, relying on souped-up technology instead of their hearts, minds, and organs And will allow CGI. Remove anything resembling the real world. In that sense, Zeenat would have proved her point.
Source: Jordan Mintzer, The Hollywood Reporter, Direct News 99